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Uniting Nations – You And Me
June 19, 2009 by andreaandrewmilne
TheMediaObserver
Sometimes the music reveals its best power when it s loud. Let’s pump up the volume! Such a deep and curvy bassline , i also appeciate the discret guitar ;and the clip…: i want to be employed right now in this company..!
andreaandrewmilne
Dear TMO (is that TheMediaObserver or The ModusOperandi?)
Your are spot on regarding that wicked, fast plucked guitar sound. Esp 0:56 to 1:06, the same section where we first see the office XY flunky and the hot-to-trot XX Italian launch into the “lift-fantasy” of limitless erotic encounter with each other. Sometimes the storyboard reads like a satire of the XY’s fantasies, since beauty seems to dance and press upon her-him. But I presume both parties want to tear off each other’s clothes.
And it isn’t the trolley-person’s gender that is being teased; rather it is a sense of overwhelmed delight when deluged by the erotic. Our hands tremble helplessly, when the transcendental erotic intersects with reality.
I wish I had a desk lamp that flashed my aching desire to fuck someone in the office, and that I dressed as well as the Roman. I wouldn’t wait for the lift though. In the language of heterosexuality, (a vocabulary I don’t always disdain) I would just say, “I want you inside me on the desk now, never mind the drips of sweat or other fluids on the paper work. If I opened my legs would you turn your key?”
What does this outfit manufacture? Coloured light bulbs, desk fans and office stationary? Obviously not air-conditioners. Looks like they are hoping for a big breakthrough with the latest offering discussed in the marketing meeting. Just how large a slice of consumers will get their teeth into the product? And they recruit from a very young demographic. From the top suits, to the thrusting executives, to the trolley pushers, everyone looks 18-25
.
In general, Uniting Nations put out cracking vids, combining an explosive, life-enhancing erotic volume turned full-on, with ironic contexts, such as (i) domestic moments where you must do it yourself, (ii) rigged games of strip poker where one is out of touch with control centres or ones lovers, (iii) extreme realms of the senses and athletic exhibition, where we should all be, or (iv) erotic anarchy in humdrum offices.
Imagine this operatic power and lightning-fast editing put in the service of the revolutionary overthrow of sex and gender dimorphism, and the unleashing of radical-trans identity-dynamics. In other words, Athens Boys Choir with these production standards, played to an audience of 100millions. Hmmmmm…….yes please.
Regards and ♥, andrea
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